By Tzachi Zamir
The e-book engages questions of theatrical thought, the actor’s “energy,” the variation among performing and pretending, the designated function of repetition as a part of dwell performing, the viewers and its appeal to performing, and the original importance of the actor’s voice. It examines the embodied nature of the actor’s animation of a fiction, the breakdown of the excellence among what one acts and who one is, and the transition from what one plays into who one is, growing an interdisciplinary meditation at the courting among existence and acting.
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Acts: Theater, Philosophy, and the Performing Self (Theater: Theory/Text/Performance) by Tzachi Zamir